OVC 1965 Shelby GT350R Competition First Drive Review | Mustang time machine
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OVC 1965 Shelby GT350R Competition First Drive Review | Mustang time machine
It's a million bucks worth of fun for just $250,000
One hundred miles per hour, 6,000 rpm. I shift up to fourth gear at the
start/finish line and return the throttle to the floor. The 289 cubic
inch V8 revs quickly, feels great over four grand, and sings a sweet
howl from the Mustang's side-exiting exhaust. We're at Willow Springs Raceway driving a 1965 Shelby GT350
Competition model, a brand-new build constructed by the Original Venice
Crew, with license from both Carroll Shelby Licensing and the Ford Motor Company. And I'm four-wheel-drifting it at the top of the hill.
Flashback to a few seconds before. I ease off the gas and turn into the
fast right-hand kink to rotate the fastback on its old-school Blue
Streak Goodyears, and then I'm back in it hard, holding the 1965 Shelby
in the aforementioned drift over the blind rise and into the braking
zone for turn one. The manual four-wheel discs take some leg muscle, but
I get it slowed and down into third gear for the hard right-hander at
the top of the hill. Turn in, rotate, throttle back to the floor,
countersteer, and drive the GT350R through another epic four-wheel
slide.
"It telegraphs slip angle," Rick Titus told me before I strapped in
behind the Mustang's wood-rimmed steering wheel. "It's a slip angle
car." Man, is it ever. Titus is an SCCA Endurance Road Racing Champion
and the son of legendary Shelby Trans Am winning driver Jerry Titus.
The Original Venice Crew sounds like a forgotten rap group from the late
1980s, but it's so much more OG than that. Carroll Shelby and his crew
began building his Cobras in a small shop on Princeton Drive in Venice,
California, in 1962. And in 1965, Shelby American began constructing the
562 Ford Shelby GT350 Mustangs, converting "K Code" fastbacks into serious sports cars for the street and the racetrack.
A 17-year-old Cobra-obsessed Jim Marietta, fresh-faced from a Cleveland
suburb, began working at the Princeton Drive shop alongside Peter Brock
and Ted Sutton on Jan. 2, 1965. "I walked in and there were 289 Cobras,
King Cobras, Daytona Coupes, Mustangs and GT40s," Marietta tells us.
"The shop was very crowded. It was about 10,000 square feet with one
rollup door and no lifts, just jack stands."
With Brock and Sutton, Marietta helped construct the very first GT350R
(5R002) at Princeton Drive that year, and worked closely with Shelby's
legendary drivers including Ken Miles, John Morton and Bob Bondurant.
"We spent lots of time testing out here at Willow with Ken Miles," says
Marietta. "A lot of it was spent experimenting with an independent rear
suspension with a Ford engineer." However, ultimately the IRS was never
homologated for competition. "Ford decided it was just too expensive to
put into production," says Marietta. "And Ken Miles never really got
comfortable with it at 10/10ths."
Brock and Marietta left Shelby later in 1965, after the operation
expanded and moved into large hangers at LAX, but today with Sutton and
the help of other ex-Shelby employees, including Jere Fitzpatrick who
drove the original Dragon Snake, they're back building Mustang GT350Rs.
They call themselves the Original Venice Crew, and they're starting with
real 1965 K Code fastbacks just as they did over 50 years ago. "We
agreed to build the "R" model that we envisioned in 1965 but couldn't
due to time, expense and other constraints," says Marietta.
Each OVC Shelby GT350R will go into the Shelby Registry. There are,
however, a few small modifications from the original cars to improve
safety. OVC adds a dual-reservoir brake master cylinder, a bladder is
placed in the fuel tank, and there's a master shutoff switch mounted to
the roll bar. OVC will also build your GT350R with an independent rear
suspension, adjustable coil-overs and rear disc brakes just as Marietta
installed underneath that prototype five decades ago.
This time around, Shelby designer Peter Brock, most famous for shaping
the Cobra Daytona, also had the opportunity to refine some of his
original ideas, including a redesigned front valance, a refined
Plexiglas rear window with less hump and Plexiglas quarter windows.
"The revised shape of the rear window improves the car's interior
aerodynamics by promoting better airflow for driver comfort while the
new front valance has a much closer identity with the original Mustang
front-end while increasing the efficiency of airflow to cool the
engine," according to Brock. "While these changes may look subtle, they
combine with the new suspension to dramatically change the character of
the car."
Purists can spec out their car with original look and a 9-inch solid
axle with drums. Also, Brock's new designs and the IRS are not available
on the FIA-approved version of the car, which is eligible for European
vintage racing. The only other option is a set of mufflers.
OVC will build 36 cars to match the original production run, and they
are street legal. The cars take seven months to build inside the Shelby
facility in Gardena, California, about 20 miles south of the original
Princeton Drive shop. The "shop" is the former location of the Carroll
Shelby Engine
Shop, and OVC has modeled it after the original Venice facility, even
re-creating a desk for Ol' Shel with one of his famous Stetsons and
music and news from 1965. The new location is less crowded than the
original, and there are a couple of lifts, but the vibe is there. Car
builders even work in white uniforms just as Shelby employees did in
1965.
The Mustang's spartan interior is also faithful to the original, with no
rear seat or carpeting. The driver's seat is an old-school race bucket
and the driving position is arms out. There are five-point harnesses,
and the doors are hollow to save weight, fitted with Plexiglas side
windows that are raised and lowered manually with a strap. You sit low,
look out over the white scooped hood and blue stripes and manipulate the
Borg Warner T10 four-speed with an original Mustang shifter, which is
precise but has long throws. A starter button? Are you kidding me? This
beast is fired with the original ignition switch and key.
Before you ask if they'll build you one with a Coyote motor, don't.
Marietta says, "Absolutely not" before I can finish the thought. Under
that fiberglass hood is a High-Performance 289 taken from the donor K
Code Mustang, which is completely disassembled, put on a rotisserie and
media blasted. All the original parts are sold off to other builders and
restorers, OVC keeping just the body, engine block and shifter.
Everything else is replaced.
First magnafluxed, the cast-iron small block is prepared by the Carroll
Shelby Engine Company with a .30 overbore, 11.4:1 compression ratio, a
dual point distributor, aluminum heads hidden under black paint, a
roller cam that's a little more aggressive than the original spec, a 750
cfm Holley double pumper and a "good" set of headers. Marietta says it
makes 456 hp on 93 octane, which is about 50 hp more than the cars had
in 1965. And it revs to 6,700 rpm, although I've been asked to short
shift it today at six grand.
The car weighs about 2,800 pounds, and it feels small and light as I
toss it around the track. There's no power steering, and it takes
significant muscle to turn the Mustang's 8-inch-wide tires, which are
mounted on period-perfect American Racing wheels. The steering response
is linear, precise, and there's plenty of feel, but the 16:1 ratio could
be quicker. This car is work to drive. After a few laps my biceps are
bulging and my calf muscles are pumped. You have to respect the men that
drove these cars at full race speeds for hours.
But the Mustang is well balanced and wants to be tossed around. The
15-inch Goodyears have plenty of sidewall, and the suspension is softly
sprung. There's some roll, but its body motions are well controlled and
it's easily driven with the throttle. On The Streets of Willow it's all
third and fourth gear, and the small-block's thunder never falls below
3,000 rpm.
Into the braking zone for "The Bowl" on the far end of the circuit, the
Shelby is at the top of fourth gear and pushing 140 mph. I leg that
brake pedal with all I have, scrub the speed, and get the shifter up
into third gear. It's a late-apex right-hander with a long, flowing
exit. Feed throttle, edge of the track, 100 mph, 6,000 rpm. I snatch
fourth gear, bury the gas pedal and navigate the blind "S" with a lift
and a drift. The four-wheel independent suspension compresses hard on
the other side, and it's back on the brakes and third gear for the tight
left-hander. I pitch it in and power slide the Mustang one final time
before shutting it down and heading for the pits. "Wow, it really is
1965 all over again," I tell Titus as I climb from the car.
They say you can't go back. Well, Jim Marietta and his old pals didn't
get the memo. They've gone all the way back. And so far, the Original
Venice Crew has taken five deposits and has 12 K Code Mustangs in stock
ready for transformation. But building time machines isn't cheap in
2018. Each OVC Shelby GT350R costs $250,000. That's a big number, and
it's $244,005 more than the original cars sold for in 1965, but it's
also $750,000 less than collectors are paying for them today. Seems like
it's worth every penny.
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